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Is This Seat Taken? is a charming series of logic puzzles with a serene soundtrack and a fun story to follow. It's brilliantly designed for short sessions and adds just enough to keep the experience fresh through the end. It's not a long journey, but it's one that's worth sitting down to appreciate.

Everdeep Aurora intrigued me. It moved me. It made me explore. Guided me often without me knowing it. It forced me to learn where things were (there is a map, but it does not mark everything), to backtrack, to explore, to remember, to find what was asked of me and solve what wasn’t, to carve my path in a way that acknowledged I would be back here, wherever that was, again. It took me through a world that felt old and lived in and like it could have been made twenty years ago but is probably only possible today. It introduced me to Shell, who reminded me of the value of being kind and helping others.

Bambas! puede necesitar un poco de betún, pero es un paso en la dirección correcta para los simuladores de paseo en general.

Blades of Fire is probably going to end up as one of those games people refer to as a PS2-ass video game (complimentary), and I feel that. It’s a kind of game that feels out of place in time, but benefits from its accidental time travel by doing things a PlayStation 2-era console simply can’t. And in turn, it benefits from not being beholden to several more decades of convention that burden so many games coming out today, in a much more risk-averse and audience-starved environment. In that respect, Blades of Fire is pretty cool and interesting. It also annoys the bejeezus out of me at every possible opportunity. But I’m glad I played it, which is way more than I can say about Samus Returns.

I see and respect what Bubble Ghost Remake attempted here. Take an obscure game, reimagine it, make it big and beautiful, and offer something fresh to puzzle fans. But as it turns out, “bigger” was a crucial mistake. Not everyone will see this and seek out the original, but if they do, they’ll plainly observe how a smaller, stage-based challenge structure turns something kind of wonky and frustrating into a true hidden gem. And considering how my biggest takeaway is how grateful I am to have Game Boy Bubble Ghost in my rotation now, I suggest anyone and everyone do just that.

While it may need a little more time brewing in the cauldron, Mika and the Witch’s Mountain was a fun ride and just goes to show that Chibig is one developer worth keeping an eye on.

Neva, as a symbol of life itself, mirrors the inevitability of change, making the journey feel like a personal allegory for parenthood and the passage of time. In many ways, Neva ends just as it begins, with a poignant reflection on the cycle of life. Although the experience is brief–credits roll after about 5-6 hours–the impact of Neva lingers long after, making it a great choice for those looking to get emotionally gut-punched by a visually stunning and mechanically concise platforming adventure game.

Creatures of Ava is a deeply human game about monsters on an alien planet. Its themes of empathy and acceptance shine brightly, setting itself apart from similar titles. It manages to deliver a thoughtful message about acceptance and living in harmony while also being something I can play to kick back and relax after a long day.

Song of Nunu is a heartwarming offering out of Riot Forge, despite being so frosty. It’s one of the few Riot Forge spinoffs I can recommend to all ages because of the genuinely whimsical friendship between Nunu and Willump, a boy and his legendary beast. I wish the presentation was smoother, and the developers found better ways to transition between gameplay and cutscenes. Moreover, it's not a long adventure. However, it’s still a solid entry in the Riot Forge universe and yet another example of how many interesting flavors League of Legends and the universe of Runeterra have to offer. If you’re looking for something both lighthearted and heartwarming, Song of Nunu will give you something to keep warm on a winter evening.

Blasphemous 2 is a solid sequel that improves upon its predecessor by being truer to its Metroidvania inspirations. It refines the concept of the original game by mixing classic platforming with more modern Soulslike themes. The combat and platforming aren’t ground-breaking, relying a lot on backtracking and collectibles, but the difficulty level generally strikes a fine balance between being challenging and fair. Along with a wonderful art style and spirited music, the game makes blaspheming a reason worth fighting for.

After Us serves as a compelling reminder of the far-reaching consequences of environmental neglect. While there are stories to glean through memories, the game is primarily a tactile experience, emphasizing parkour and puzzle-solving over delivering a strong narrative. The game has approachable puzzles and straightforward controls that should be easy for most to pick up. Its engaging gameplay mechanics, stark visuals, and poignant message make for a satisfying puzzle-platformer overall.

The visuals are stunning, and the soundtrack excels at aiding in conveying the gravity of the bad, as well as the moments of light and joy included in the game. Overall, if you enjoy games with deeper meaning hidden beneath the surface, you’ll love Endling. If you enjoy games that make you cry, you’ll certainly find that with Endling. Bugs and minor issues aside, Endling is one of the more moving games I’ve played this year, and I highly recommend it. Just be sure to have some tissues on hand, just in case.

Overall, Etherborn is a short and sweet puzzle platformer that centers around ideas of identity and purpose. The story has something to say about human existence, and what it means to be a person. Not only does the narrative provide some food for thought, but it works to drive the gameplay. The platforming and puzzle solving is exceptional thanks to the neat gravity mechanic and the well executed camerawork. Etherborn is a unique puzzling experience that brings something special to the genre.

We've seen Gris before, back when it was sold in the wrapper of Limbo, Journey, or Ori and the Blind Forest. It's the same old platformer that's being turned around yet again for a new audience with new gimmickry that, while functional, simply brings little to the table. It's easy to fall in love with, at least superficially, until you examine it even closer. It looks great, it's smooth, and you sure can jump a lot – but it's unsatisfying in so many ways that make it difficult to recommend over more competent and feature-rich games in the genre. After all, you know the old adage: beauty is only skin-deep.

Monster Prom had so much potential and so much to offer that I couldn't wait to tear into it. And on a superficial level, it's an interesting experiment that I thought I would love. Unfortunately, just like the monsters you're courting, once you get to know it it's only a great-looking shell with some fairly rotten insides. I'd like to see updates come down the line to open up new romance options, additional things to do, more purpose for the stats, and improved writing. Until then, I'll be sticking to the dating sims that don't try and court me with "shocking" writing that's tamer than what comes out of my mouth on a daily basis.